innovation playground Idris Mootee

Idea Couture Is Ready To Take Innovation And Design Thinking To The Next Level.

This has been a very tough two months for me in terms of time and I have not been spending much time writing my blog as much as I used to. It is getting a bit difficult to find the time as we were going through a reorganization, adding new offices, putting new management system in place and at the same time trying to finish my two books on the weekends which will be published in May and Oct this year.

I am excited about my new Design Thinking and Strategic Innovation book that I hope to fill a gap in the market place. And management of the company is taking more and more of my time. So the time I can afford to touch projects is shrinking, I think I only spend 25-30% on projects these days instead of 40%. And people think I spend a lot of time on my MISC magazine, the reality is it is less than 2% of my time. I have a great team helping me with that. I only pick the theme, cover girl and the designs.

We have always designed Idea Couture to be a company that is agile, high style and deserve great love. But we recognize this is an ambitious goal because we want style, speed and substance. Not everyone can make it. I remember someone said something like "Out of difficulties and impossibilities grow miracles." Perhaps we’re naïve. Idea Couture is not a place for small thinkers or people with big egos. It is place for people who believe in being AWESOME and won’t spend time fighting for excuses.

I take pride of seeing people that I mentor growing everyday. We’ve come a long way since launching what we called an innovation firm – whatever that means. It is not a design firm with MBAs; or management consulting firms with some designers or digital agencies calling themselves innovation agencies. We are built from the ground up to do what we’re supposed to do – we work with organizations to uncover innovative ideas that sustainably grow market share or create new markets through powerful customer experiences innovation. We are close to the completion of our reorganization and I am very excited to wait for more new people joining us every week.

Our technology team is amazing and we’re now adapting new methodologies so we can deliver better and faster cross-platform solutions. Our strategy team is growing and growing and have so much untapped potential (unsolicited resumes are flying in dozens everyday).

Our design team is world class and I personally make sure they will remain the best all the time. They not only produce great work, but also open minded and egoless, and fun. At Idea Couture, design is at our very core, not the surface. Design here is under transformation and it is not done within a studio, it is done in the real world in future tense. Design is where technology and art breakeven and where love and logic intersects.

Our insight team is AWESOME with all capital and it is our intellectual powerhouse. When the company advanced forward to a new stage, our foresight capability was not meeting the standard that I required both in terms of strategic knowledge and professionalism. So we needed a full upgrade. Now we have a new global team and a plan to fully integrate that into our innovation process.

We have no time for amateurism. People are committed to giving their best. We just launched our idea couture culture page, which is my personal most favorite part of our site that best represents us. It shows us who we are as individuals which really what this company is all about. People are here for a reason, not for a job. They find their best and it is our job to bring out their bests. It is not always easy. It is how they find meanings. There is a strong correlation between job satisfaction and meaning.

We refuse to act like a "grown-up" company; however at times the company and will always want to think we’re small even though we have 6 offices around the world.

We refuse to act like a “think tank" as we don’t just think, we do.We don't just produce report, we ation on them. We use visual output for sensemaking and mobilizing change that increases organization adaptability and agility.

We refuse to act like we "know it all" but we believe we are equipped to find the best available solutions.

We refuse to accept any "best practices" as we are the one who invent “next practices”.

We refuse to accept that “amateur foresights” is better than no foresights. Actually it is better to have no foresights than wasting time on amateur futurists.

We refuse to accept that "ideas are everything", in fact ideas don’t worth much. They are cheap. There are no shortage of people with ideas and can never execute anything. The art of jump starting innovation is strategic commitment and it is more valuable because nothing happens until someone do something.

We refuse to accept people with "big egos", it is simply not part of our culture. But there is one nice thing about egotists is that they don’t talk and think about other people at all.

Idea Couture is a working prototype and will remain a working prototype in time to come.

Will The Facebook Phone works? And For Microsoft and Samsung, The Future Of Smartphones Is Dual-Screen.

The Facebook phone is here.The Facebook phone rumor has been around for a while and it is a matter of time it becomes real. I think they should have done it earlier and should have larger ambition other than just trying to design a ‘home’ for Android.  Home sounds like a PaaS personalization tool and not sure how many FB users will want this. FB see the potential for them but it is hardly a threat for others but Android might modify their terms so this won’t happen again in the future.

With FB already commands more than 20% share of people's time on mobile devices (excluding Instagram), it can further boost FB mobile usage particular for younger users. Will FB take over 20% of all Android phones, we have yet to find out. For now, FB is pretty convinced that people will want a phone designed around it and perhaps with additional hardware feature that is uniquely FB. 

FB should really be making its own phone, it is reported that they are working with mobile chipmaker Spreadtrum to pre-optimize its software for the cheapest Android handsets. It is hard to compete on the high end with Samsung and Apple, if Facebook prodcued its own low end phone, though, it could create a new business model in the mobile market and FB could negotiate better data plans for their members or partially subsidize them with advertising. This is not easy for Facebook to jump in and get carriers to agree to sell its phone.  For me, I see no reason to have a FB phone.

For Microsoft, they are waiting to see how well Nokia's Lumia phones Windows Phone 8x and 8s sell before making a strategic decision to enter the smartphone market on its own. I think it makes perfect sense for them to decide to play in the hardware space. They have made that decision with  Surface tablets. It is a matter of time that they will play in this smartphone market, they risk becoming irrelevant as market is switching into different computing format.

Microsoft is thinking dual-screen and has applied to patent a dual-screen phone interface. One screen for device interface and the other as a monitor and is detachable. NEC is making one and is marketing them as the "best cloud device," the dual-screen Android from NEC handset also has a super powered battery to keep both displays running.

It will be interesting to see what can we do with two screens. We're already designing dualscreen user experience models and I think this is catch on. The mobile industry is changing faster than anyone could have imagined and the interface paradigms there have been static. Here is the opportunity for us to introduce new ways of interacting with others and new ways these machines can understand what we need.

 

3 Paths Towards A Creative Life. It's Not The "Aha" Moments Or Being Perfect.

You want to be more creative? Sometimes it is not about trying harder to act creative. I see a lot of people trying too hard. Sometimes it’s not just about giving one the space to be creative.  Sometimes it is just being strategic. And sometimes it means apply a healthy dosage of common sense. 

Strategic creativity is more valuable than creativity.  Not everyone needs to be “creative” the same way as other think you should be “creative”. It is not about ideas. It is an attitude. Everyone can live a creative life and be creative how he/she sees live. It seems that when creative people (artist) with certain carft try to solve a problem or achieve a certain end result, particularly when the goal is related to their craft or specialized skills, they have an advantage. But when the problem is too big for them, it takes strategic creativity on a more sophisticated level.

Creativity is in such demand today and it is not the years of schooling or what art schools you attend. The word “Creatives” is used in advertising world to describe those who work on creating advertising campaign or providing craft for production. People in these roles like to believe that they are more creative than others. It is not the case at all.

Creativity is not a job title, crafts, capability or skills. Creativity is state of mind, which you can use in everything you see and do. People should live a creative life rather being creative. By living a creative life and having that state of mind, one naturally becomes creative. Creative is independent of discipline, culture and tools.

So how do you live a creative life? Here are three specific ways that can help you to live a creative life.

1. Be Bipolar. A little madness yield great artists, designers, inventors and scientists. The evidence is growing for a significant link between bipolar disorder and creative temperament and achievements. Seeing the extremes of both sides of anything help you to understand the spectrum of choices and options.  Go to places you don’t normally go and use that space. It is not available for everyone.
2. Be Foolish. Be lazy. Everywhere people are telling you rules and the right ways to do things.  Be acting silly and even lazy can sometimes help you to see easy paths to complex problems. Agatha Christie wrote, “I don't think necessity is the mother of invention. Invention . . . arises directly from idleness, possibly also from laziness. To save oneself trouble.”
3. Be Strategic. Most people see this as the opposite of creative. This is total rubbish. Being strategic can also be creative. And being strategic you need to be very creative. The best strategists are often most creative people who can apply creativity in the context of a specific problem. They don’t’ dress in a funny way or even trying to act like artists. They may wear suits and even a tie, but they could also be the super creative types.

Creativity is not just about “aha” moments or interesting ways to look at things. Creativity is about putting empathy to work. Creativity is not about perfection. Weisberg and Csikszentmihalyi both talked the importance of motivation in creative performance. A notion of Csikszentmihalyi’s concept of creative flow is that reaching peak performance is “autotelic”, meaning it is enjoyable for its own sake. So the ‘creative person’ is simply someone who enjoys creativity and therefore does it all the time, even with no reasons and gains nothing from it. Someone just want to be creative all the time. That's different from peope who are strategic in applying creativity. Nothing good of bad. Just two very diffferent creative types.

Creativity is not about opening new doors because something said creativity people have no doors and doors are for those without imagination.

Can Gadgets Save Healthcare? What's The Next Big Disruptive Technology That Can Reinvent Healthcare? But The Fact Remains That Our Health Care System Sucks, And Will Continue To Suck.

I like the lastest Bond movie and the only thing I missed is smart gadgets. Bond needs to have latest tech toys. I don’t want to see Bond becoming Jet Li. Half the fun of watching a Bond movie is reveling in the odd ingenuity of the clever devices. Bond needs all the tech innovation he could use. Her Majesty's government is not investing enough in innovation for sure. Mi5 has a lot of catch up to do. Perhaps they should retain Idea Couture to develop an innovation roadmap? I might get a call from Sir Jonathan Evan!

In Bond's world, the smart phones have access to intelligent databases; miniaturized radio homing beacons operate on their own encrypted frequencies, the cars come equipped with bullet proof glass—semi-autonomous or remotely controlled—and become invisible to the naked eye. Implantable, traceable RFID chips confirm your identity and carry your medical history. And a smart scan to show when enemies are nearby too. And no, Bond does not need speed dating gadgets at all.

Bond gadgets may have once seemed far-fetched, but in our tech-addled age most are at least possible, if not realized already. In 2009 Harvard Chemists collaborated to successfully develop a low cost micro-fluidic "lab-on-a-chip" (actually it was on paper) solution to identify various biomarkers related to the AIDS virus. This idea of a miniaturized bio-chemical lab is a solution currently being funded and developed by DARPA to get ahead of the bio-weapons curve.

In Casino Royal, a similar device helped save Bond's life after he was poisoned. After plugging into a cell phone, the data from his blood sample was transmitted in real-time back to HQ for analysis. A dedicated team of medical professionals including molecular biologists; immunologists, neurologists and virologists provided advice on how to mitigate the sticky situation of being infected with a designer biological agent from half a world away. The biggest idea here is this can become the premium health service for those who can afford it, specialists are all standing by and all one click away to saving your life. That’s an innovation.

Today, self-diagnostic technologies in tandem with the hundreds of personal health and wellbeing apps have emerged to take advantage of our over-connectivity. We are all a click away from massive global expert networks for information and advice related to described symptoms. Our helathcare economics is not working doesn't matter becasue the cost is too high and doesn't matter who is paying for it. The biggest opportunity for smartphone is not smartphone, it is Personal Health Device. That’s a $20 billion plus industry from the start. We need geniuses and mad scientists and designers to make his real and affordable.

“All the greatest men are maniacs. They are possessed by a mania which drives them forward towards thier goal. The great scientists, the philosophers, the religious leaders - all maniacs. What else but a blind singlenee of purpose could have given focus to thier genius, would have kept them in the groove of purpose. Mania ... is as priceless as genius.”

                                            ― Ian Fleming, Doctor No

This is anexcerpt from an article co-written with M. Lincez to be appeared in the March issue of MISC magazine the Gadget Issue.

I Imagine Over 95% Of All Patents That Apple Filed Are Useless. Here's A Good Example.

The patent wars are continuing as we speak. With the proliferation of cheap sensors people are talking about putting them everything. We use them in our cars to see if the tire pressure is correct and washroom etc. It is part of our everyday lives already.

Apple just filed a patent application to put sensors in your sneakers so they can send signals to your iPhone to tell you it is time for a new pair. If I am Nike, I would file 100 patents to put sensor in everything from sneakers to sport pants. Is this patent really useful? I think we all have a pretty good sense when do we need to replace them just by looking at it. I don't need sensors to tell me.

The application describes a "Shoe wear-out sensor, body-bar sensing system, unitless activity assessment and associated methods." The application's summary describes the system thus:

A body bar sensing system for sensing movement of a body bar may be provided. The body bar sensing system may include a housing having a coupling mechanism operative to couple to the body bar, a detector disposed within the housing and operative to sense movement of the body bar when the housing is coupled to the body bar, and a processor operative to determine a number of repetitions of the movement based on the sensed movement. In one embodiment, a shoe wear out sensor includes at least one detector for sensing a physical metric that changes as a shoe wears out, a processor configured to process the physical metric, over time, to determine if the shoe is worn out, and an alarm for informing a user of the shoe when the sole is worn out.

I really think this is a pretty useless patent. Perhaps a more useful one is we can have them in our leather shoes and it sends a warning signal to me when the pavement is slippery just like my Mercedes. Today’s sensors are mostly simple designed for specific purposes, like measuring temperature, gas, light or tyre pressure.

Most sensors are designed as part of a closed system design and not connected to any networks. Future network sensors will drastically expand the possibilities by using wireless, radio waves, ultra sound and infrared signals to connec to big systems, we can do a lot with the information that they collect.

The most fascinating ones are those we can put under out skin. LifeCare in Bergen is working on the development of a new type of sensor that can be placed under the skin for measuring the blood glucose level.  It is small enough to be injected underneath the skin and no operation is needed. A nano membrane moves when the blood sugar concentration is irregular. One big challenge is power supply because all sensor needs energy. You don’t want to rely on battery. Some researchers have consequently developed wireless energy transfer between the glucose sensor and a bracelet carrying a battery. 

What I find really cool is the EPOC's Neuroheadset. It is the next competitive field in gaming. The headset features 14 saline-based sensors and a gyroscope and is primarily designed to gamers. Think shoot and think jump! Another application is to help people with disabilities to regain control of their lives. It includes EmoKey, which is a lightweight application running in your computer's background to allow user ot to map out thought-controlled keystrokes. This headset is the used by the Dartmouth Mobile Sensing Group, which created a brain-to-mobile interface that allows you to call your friends by thinking about them. Imagine I am looking at other people’s Facebook pages and it will leave a comment or 'like' for you.

Now I Can Read Your Tweet On Your Dress. Or You Can Program Your Dress For Any Special Occasions.

It was at least 10 years since I was talking about wearing technology and fashion in conferences and 10 years later we don't see any mass commercialised products out there. It is another example of innovative technologies usually takes way longer that we imagine for diffusion for a number of reasons. May be this is the year we start to see it coming.

There are a few out there working hard to make it happen. CuteCircuit is one of them. It is a wearable technology and design company based in Shoreditch, London. Founded by Francesca Rosella and Ryan Genz, the company incorporates LEDs, telecommunications, and smart textiles into fashion, bringing a sense of style and tech fun to wearable tech. I visited their studio a month ago and talked to them about the challenge and opportunity.

Rosella's background is in fashion, having worked at Valentino and Esprit, while Genz was an artist and anthropologist. The pair met while studying interactive design at the Interaction Design Institute in Ivrea, Italy in 2001 and began to collaborate almost immediately. The first collection Rosella and Genz designed, called TransforMe, was based on the idea that garments could change shape, color or illuminate during the course of the day in response to the mood and activity of the wearer.

The most well known piece from the collection is the Kinetic Dress, a dress with embroidered electroluminescent fibers that light up in response to the wearer's movement. The dress features Victorian style mutton-sleeves and a train, and is made from black elastic that creates a sleek, body hugging silhouette. And their famous “Aurora Dress”  which was designed for an opera singer, features 10,000 LED lights and hundreds of Swarovski crystals.

The fashion industry’s manufacturing system has been using the same supply chain design for many years, disrupting this process, even slightly, has to be done slowly. Facing the manufacturing process has helped refine the products and streamline designs, and has given the opportunity to create viable products. Like any other industry innovation, the biggest barrier is always the supply chain. The industry needs a new flexible supply network to achieve scale. Perhaps in another 3-5 years. May be more. I can't wait to see when we all have a "smart" wardrobe.

 

At CES Everything Is Touch, Touch, Touch. Will Touchscreens Make Typing Obsolete Soon?

At CES this year everything is touchscreen, TV, laptops, tablets and kitchen appliances. Is the future of interfaces is moving to touchscreen? Is this the end of keyboards? We are seeing a completing transition in the design of user experiences to software based and touchscreens. The notebook computer is the final piece of the migration. Most people would find no reasons to touch a screen on a laptop or notebook, but we are also increasing used to the habit of touching screen even most of the time even we’re not aware of. Thanks to the iPhone and iPad.

Our view will change even when we don’t think touchscreens on laptops are useful; just see someone use a keyboard with an iPad or Galaxy. For many, it just feels more natural to touch the screen. I sometimes find myself touching the screen forgetting that it is not a touchscreen device.

Blackberry will join it even they will still keep the keyboard as an option for people like me. Automobile entertainment will move there too. Your next laptop will likely be touchscreen and you might not have any choice, whether you like it or not. I wonder when will Apple launch a touch screen macbook? I think it is only a matter of time before all laptops become touch-enabled. LG was showing a prototype of interactive retail display so you can try differetn outfits without going into the changing room.

With touchscreens, we will never worry about spilling coffee onto your keyboard but will have to deal with the problems of greasy fingers. I think touch will become the key user experiences but there is still a lot of room for innovation. Touch-enabled devices will accelerate adoption in the enterprise market and next will be education market. The next generation of workers will forget what a physical keyboard looks like.

Hong Tan, a professor at Purdue University who works for Microsoft came up with an interesting way to add the feel of buttons and other physical controls to a touch screen by using vibrating piezoelectric actuators installed on the side of a normal screen generate friction at the point of contact with a finger. The nice thing about the innovation is it can make an ordinary sheet of glass feel as if it has physical buttons or even a physical slider with different levels of resistance. That is a bug jump forward from just touchscreens. The haptic feedback could help users find the right control on compact or enable the use of a touch screen without needing to look at it.

RIM is working really hard to win this. They called it a “writing without typing”, a technology only apply to the keyboardless Blackberry London devices. This is a riksy bet as Blackberry loyalist (like me) likes typing on physical keyboards rather than tapping on a screen. I am eager to get my hands on the new Blackberry London... a few weeks I will know if that works for me.

I Am Not A Gadget! Or Am I Becoming One? How Close Are We From A Full Blown Computional Culture?

Sometimes I feel like I am a gadget. We all performing various specialist and general tasks everyday and somehow you feel each of these tasks are not related. And the worst part of our job is to perform something that is so tedius and doesn’t really require any creativity, analytic and imagination. And you wonder why this work cannot be done by a gadget. Or if I am doing the job, does it mean I am a gadget?

There are over 600,000+ personal pocket gadgets out there for whatever purposes and over 700,000 apps for iPhone 7000,000; Android and 99,500 Blackberrys to turn your smartphone into a gadget. There's an app for almost anything and someday my resume will look like my iPhone and people will look at how many apps I have to decide whether I qualify for that job.

Human is supposed to be good at problem solving. Or at least we think we are, I am not getting into that debate. There are differences between the different types of problem solving from pure creativity to system level thinking or analytical processing.  Creativity requires periodic, temporary “encapsulation” as opposed to constant calculation or recalculation. You need time for working privately as well as times for group ideation. Encapsulation is what allows for the possibility of self-testing that enables a quest for excellence.

The big question is will the proliferation of gadgets push us towards a more creative culture where our time is better spend on the creative side while our gadgets take care of the rest or in another scenario where these micro-computing machines (gadgets) will take over and we will be pushed towards a computational culture?

All these micro devices, bit data-warehouses and pervasive communication facilities are now omnipresent in our daily activities. The way we live, work, play, communicate and interact with each other is in permanent flux due to the influence of these cool gadgets. Historically speaking, technologies are developed as a result of the need for faster means of calculation to achieve the unachievable before the world emerging into a full-blown computational culture. Emerging in its modern form in the seventeenth century after the introduction of typography, that culture, it is here argued, remains dominant today.

Can future gadgets evolve to a point that they understand our feelings and not just commands and preferences? As part of our extended mind and heart and algorithm that can add feeling to an otherwise mathematical, non-physical, and consequently non-aesthetic, thought? This is the theme of the next issue of MISC for March. Look out for the big Gadget Issue.

What Are The Most Popular Innovation Tools? Here Are The Results From Idea Couture Recent Survey (Part 1 of 3).

Our new headoffice is slowing coming together with containers of furniture waiting to be unloaded. It will take another 2 months before it is picture ready. It is looking like a boutique hotel as I've heard. We've got lots of projects rooms, big windows, big space for development team and lots and lots of open space for parties. But no one has time for it.

People talk about innovation some refer to strategy, organization, process, culture and many just think of toolkits and tactics. Innovation strategy is more important today than it was 10 years ago; rapid market changes and the need for growth requires a clear articulation of answers to the following three questions:

• Is innovation part of out core business strategy or something we want to keep on the side to explore new opportunities?
• Where (product scope and geographic scope) do we focus in terms of innovation efforts? What types of innovation do we need?
• Product innovation; service innovation or business model innovation?

Innovation does not happen with Power Point or Excel. They are decision support and communication tools. Innovation requires not only the right strategy, environment but also the right tools. Choosing the right tool can be as complicated as the problem it needs to solve. Executives must select the tools that will lead to breakthrough ideas, which can be brought to market effectively and ultimately create a sustainable competitive advantage.

Last year we conducted a global survey amongst executives of our Fortune 500 client base to determine their levels of awareness, understanding and usage of the tools used in the innovation process. We have broken this list of 15 tools into 3 categories and will share here some of the results as a two part series:

• Top 5 most popular
• Top 5 most effective
• Top 5 most misunderstood

Here are some of the results:

THE TOP 5 MOST POPULAR TOOLS

1. CONTEXTUAL INQUIRY
2. ETHNOGRAPHIC SHADOWING
3. IMMERSION DAYS
4. RAPID PROTOTYPING
5. CONSUMER JOURNEY MAPPING

THE TOP 5 MOST EFFECTIVE TOOLS

1. ETHNOGRAPHIC SHADOWING
2. PERFORMANCE AND PERCEPTION MAPPING
3. RAPID PROTOTYPING
4. CONSUMER JOURNEY MAPPING
5. VALUE CURVE MAPPING

THE TOP 5 LEAST UNDERSTOOD TOOLS

1. WEAK SIGNAL SCANNING
2. CONSUMER CO-CREATION
3. SENSEMAKING
4. FORESIGHT
5. CREATIVE COLLISIONS

THE TOP 5 MOST POPULAR TOOLS and why are these Top Five the Most Popular?

• Many people have heard of them before.
• Have been popularized through books, articles and business gurus.
• Easy to access, and easy to use.
• Can be easily integrated into existing workflows
• Easy to migrate over from adjacent disciplines

CONTEXTUAL INQUIRY: Contextual Inquiry is an ethnographic research method that reveals how people think about, talk about and perform activities in the context of their daily lives and actual environments. It is used to observe existing consumer/user habits, and to gather feedback on prototypes, and in the process gain a deeper understanding of consumer motivations, attitudes, preferences, needs and ideas. Contextual Inquiry helps research and design teams understand how to better execute on the less tactical and more social, cultural or contextual elements of a concept.

When to use it: Should be used in conjunction with Rapid Prototyping phase Why use it: To gain reliable information that is relevant to the End User. To access tacit knowledge and uncover insights into user behaviours that were previously unarticulated. To gather detailed feedback on successive prototypes, and to use that input to refine designs.

ETHNOGRAPHIC SHADOWNING is a research technique used to understand a person or group of persons behaviors and interactions related to product use, service interactions, and the processes involved in achieving tasks. Shadowing is a real-time exercise that focuses on particular events and tasks people engage in as they take place. The nature of shifting contexts and use scenarios, make Shadowing a valuable technique for uncovering unmet, and unarticulated needs, as they unfold over time. So as to achieve authentic, and honest insights into end user behaviors, Ethnographic Shadowing sometimes requires that the research subjects be unaware of the actual Shadowing.

When to use it: Insights & Inspiration phase, at the beginning of the innovation process. Ethnographic Shadowing also helps inform the journey mapping process. 

Why use it: Ethnographic Shadowing is key to understanding and cultivating the consumer empathy that should guide each and every stage of the innovation process. Where surveys find data, focus groups reveal opinions and traditional market research creates speculation, Ethnographic Shadowing fuels innovation by identifying the unmet, unknown and unarticulated needs of consumers. 

TO BE CONTINUED ......

Design Thinking Can Make Strategic Management Simpler. But Never Simple. People Are Naive To Think That Management Can Be Explained In A Few Circles.

"Strateic Management" sounds academic. Should management be always scientific?  Since the publication of Frederick Taylor’s 1911 treatise, “The Principles of Scientific Management,” the field of industrial engineering has attempted to improve efficiency through ‘scientific management.’ At almost 100 years old, this form of industrial management is primarily based on a mechanical view of our universe as it relates to finding the ‘best’ ways to work.

Spurring powerful business models like the Ford assembly line, this discipline of speeding up productivity, controlling quality and minimizing cost remains the primary management modus operandi. Ever since then, scientists haven’t made much headway in scientific management.

In the mid-1980s, scientists used advanced computer modeling to seek order in chaos, creating mathematical diagrams at warp speed with the new technology. Though they found some fascinating data visualizations, they couldn't explain or understand the patterns. Like forecasting the weather, one could make educated predictions but never guarantee sunny skies. A decade later, some scientists stopped focusing on chaos and took a new interest in complexity.

Using advanced computer models to uncover the structure of life forms, a new approach was applied to business management. Comparing everything from beehives to genetic DNA to traffic jams to the hyperactive, complex properties of our technological and economical environment, they created many a compelling metaphor for strategic management. Still, these studies fell short of revealing any fail-proof practical applications. Today, Fortune 500s and other companies around the world still manage companies like machines – valuing profits before all else, maintaining authority with command-and-control management and relying on Six Sigma to improve quality, overreliance on the metrics on utilization, output and efficiency of mass production.

Thanks to Mr. Taylor,these practices suddenly serve to create a bureaucratic structure, distance executives from laborers and encourage them to manage rigidly and systematically. They do nothing to benefit companies that are looking to innovate in today's creative economy. If anything, it’s getting harder to weed out the chaos now that we’re bombarded with massive data and enterprise software, which forces managers to think in confining formulas. They get caught in a tangle of technology, complex processes, product portfolios and business units, and the straightjacket only tightens its grips. They watch in paralysis as these systems drain their financial and labor resources overnight.

Design Thinking is what Scientic Management needs to maintain its relevance. The only way to simplify management is to apply the voice we’ve lost touch of amidst all this white noise: our intuition. Intuition is anything but simple, yet it has the remarkable ability to bring clarity to strategic decision-making to light because it reveals a subtle qualitative and quantitative balance that is oftentimes needed for all the parts to click.

Sometimes we need to tune out the algorithms, the data and the consciousness. Sometimes it takes a white board, some weird field trips and a few crazt people to show us the world has changed and our business models have expired. We need to use our sense to get into the rhythm of disuptive competition. We need to free ourselves from the rational-logical-linear model that keeps us frozen or stagnant in a fast-moving and uncertain environment. We need a touch of finesse and the courage to wipe the slate clean.

Thinking Usability Beyond Simplicity And Can We Really Afford Simplcity? Is Dieter Rams' 10 Principles Of Design Still Applicable Today?

Came back from beautiful Thailand speaking at the Design Is Opportunity event. Everyone is thinking about design not only as producing great products but also as a competitive advantage for creating new industries and as comparative advantage for countries. Met many people who are passionate in design and design thinking.

There are 16 remote controls that sit on my coffee table at home, and I have no idea what they are all for. It’s enough to make one think twice about turning on their phone, buying a new camera or downloading a new app. Looking around my surroundings, I’m struck with how overly complicated life is. Products that are supposed to simplify our lives now require a steep learning curve and possibly a special diploma.

Which leads me to wonder whether the concept of ‘usability’ means anything to designers and manufacturers anymore. Are they not concerned with alienating a large part of the market with their constant stream of complexities and change? Are they so sure that we’ll loyally follow them to the ends of the earth, syncing our lives to their products? Only a handful of companies are doing it right.

Usability springs out of a discipline called Human Factors, which has deep roots in military strategy. Crucial during wartime, when soldiers needed to design tactics to easily and accurately protect themselves while defeating their enemies. In the most intense and critical moment of one’s life, human factors mean the difference between survival and death. Many are confused over the difference between Industrial Designers (ID) and Design Engineers (DE), let alone between Industrial Designers and Human Factors Engineers (HF).

Industrial Design (ID) is an applied art whereby the aesthetics and usability of products may be improved. Depending which school of design you come from, you can be an artist or a designer that follows most if not all of the 10 principles of good design from Dieter Rams. Design Engineering (DE) on the other hand is a discipline that creates and transforms ideas into a product definition that deliver on customer needs.


The key difference between the two is: ID is an applied art, whereas DE is a discipline. This means that industrial designers' job is to dream up products and design engineers' job is to make it work. Dieter Rams is both a indistrial designer, artist and human factor engineer. He wants his product to be usefil, elegant and easy to use. Sometimes an indsutrial designer performs all three roles.

How did human factors come into design? WWII launched the starting point for electronic systems with user interfaces that were controlled by human operators. At the time, industrial psychologists like John Flanagan discovered that reducing the amount of clutter, such as buttons, switches and knobs on the control panels of aircrafts could dramatically improve operator performance. New models became increasingly streamlined, such as the P-51 Mustang fighter, “one of the conflict’s most successful and recognizable aircrafts.”

Aviation and weapons designers must consider a myriad of human factors, including how to prevent accidental firing, decrease use fatigue, withstand climate conditions, and equipment maintenance, to name just a few. Perhaps the most important factors that guide design involve the human condition. In short, the design must take into account those that will operate the equipment. The degree of automation and ease of maneuverability also play a role. Usability is all about transcending human limitations to achieve the upper hand.

The concept expanded when computers came on the scene. The evolution of the computer, from military technology to personal use, spanned many decades but it finally reached the hands of the public. For the first time, employees could have personal computers, but during this first introduction there were little to no instructions or guides. Despite this, software designers continued to assume that their users were knowledgeable and competent enough to understand the technical lingo and structure of operating systems to not only use the systems but also troubleshoot errors. Such implicit assumptions proved unacceptable, especially if computers were to achieve mainstream success. Today, we expect them to accommodate our limitations, intuition and even emotions.

Adapted from an article Usability Beyond Simplicity from the upcoming Sept issue of MISC- The Simplicity Issue which be available in newstand around the world in the third week of Sept 2012.

Reinvention Lessons From Karl Lagerfeld That They Don't Teach You In B-Schools Or D-Schools.

How many other people do you know with teddy bear replicas of themselves? Karl Lagerfeld is not only the creative force behind some of the top names such as Chanel. He is constantly reinventing with each collection he creates – something that gets harder, not easier, with time. What he did for Chanel with tweed is incredible, his explorations in sable fur were stunning and his creations, for example that signature unfinished trim is endlessly copied and replicated. Sometimes you wonder how can someone reinvent himself season after season and still good at it. Here's a few lessons.

The man’s an art-making machine and his public persona is unequivocally all about making women look radiant. Working quickly and creatively, he enjoys the exploration of art as much as he does the execution. Last year, after a TV appearance with Lady Gaga that ended in an impromptu photo session, the king of couture sent the queen of pop culture a signature Chanel bag featuring portraits of the two of them embellished with Crayola-color.

Growing up in Hamburg, Germany, Lagerfeld learned to speak French, English, and Italian as well as his native German language fluently. At 14, he moved to the fashion mecca of Paris, and by 17, he confirmed his unparalleled talent by winning first prize in a sketch contest organized by the International Wool Secretariat. In 1983, Lagerfield became the art director for Chanel, and launched his debut clothing line, Karl Lagerfeld. With the assistance of Gilles du Four, his Chanel ready-to-wear collection was an instant hit. At the time, Chanel was losing steam, failing to attract young customers with their tired line. They needed a glamorous re-haul,—nothing short of a brand reinvention.

Lagerfeld’s magic touch transformed the conservative fashion line into a timeless label with contemporary style, while preserving all the glamour that Coco infused in her classic pieces. In the studio, Largerfeld is an artistic powerhouse and hands-on with every step of the design process. It’s no wonder that the press refers to him as Kaiser Lagerfeld.

He does everything from designing to shooting the fashion ads and commercial campaigns. In the fashion industry, it’s not just the clothes that go out of fashion with every season. Hyper-competitive designers are always trying to claw their way into the business, and with little to no guarantee of customer loyalty, it’s harder to stay ‘in style’ than get your foot in the door. So how does someone like Lagerfeld reinvent himself every season for over 50 years? Here are four lessons that you can apply in your work:

Lesson One: ALWAYS FOLLOW YOUR INSTINCTS “I’m not a marketing person. I don’t ask myself questions. I go by instinct. Be politically correct, but please don’t bother other people with conversation about being politically correct, because that’s the end of everything. You want to create boredom? Be politically correct in your conversation.”

Lesson Two: CREATIVITY CAN BE AN UNLIMITED MACHINE “People who do a job that claims to be creative have to be alone to recharge their batteries. You can’t live 24 hours a day in the spotlight and remain creative. For people like me, solitude is a victory.”

Lesson Three: DON’T OVER ANALYSE “I never analyze my collections. I do eight collections for Chanel each year — they overlap. Sometimes I work on two collections at the same time. But I can separate my mind, I’m very organized. In fact, I’m a computer. Also because I don’t use cell phones and computers. My computer is my brain.”

Lesson Four: INVENTION IS LIVING “I like to reinvent myself — it’s part of my job.”

Have You Noticed The Emerging of Professional Visual Anthropology? Now You Can Be An Anthropologist Even If You Can't Read And Write!

I carry my camera (Leica) for 2 reasons. One is to capture pictures that remind me of what I've experienced or just something for inspiration and two is to share with others what I am doing. A picture can often tell a story better than a thousand words. Photography can capture the pure spirit and beauty of life, to tell a story to tangiblize humanity or to create a real (or fake) personality and to communicate an idea. I called it the practice of visual anthropology. Does it mean I am now an anthropologist?

Photographers such as Henri Cartier-Bresson, Robert Capa, Dorothea Lange or Steve McCurry have made their names by using photography to help us see the lives of so many that we may never be exposed to. They are more than artistic expressions, they are creating social meanings and codifying our cultures through the use of photos. As Cartier-Bresson said, “Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).”

There are many known social scientists and anthropologists who focus on the social meaning of photography including Elizabeth Edwards, Pierre Bourdieu and Jay Ruby to name a few. This is still an emerging field but will continue to add a creative layer of analysis to many existing methodologies. Visual anthropology and ethnographic photography do not currently have a well-articulated theory or method but is an explicit theory even needed? In the beginning, the primary function of photography in anthropology was as an aide-de-memoire, like written field notes, photography served to help reconstitute events or aid in writing. Now we're all using Instagram.

This includes all aspects of our culture that are visible, from nonverbal communication, objects, light, texture, ritual, ceremonial performance, expressions and movement. The study of photography has been dominated and also limited by art historians.

The notion that visual anthropology is a means of scientific research may not be commonly accepted, the camera becomes the main visual anthropological tool. It helps many viewers to see things they would not normally be exposed to; it captures the scene around dialogue; and it depicts the mood and state of people in their natural context. The photos become “ethno displays” capturing moments of observation. There has always been a natural relationship between anthropology and photography - called it "anthrophotography" and I just invented a new term.

As Henri Cartier-Bresson said, “In photography, the smallest thing can become a big subject, an insignificant human detail can become a leitmotif. We see and we make seen as a witness to the world around us; the event, in its natural activity, generates an organic rhythm of forms.”

Visual anthropology can also be used in persona development, adding a tangible element to the identity of a customer. As the camera emulates the anthropological principles of participant observation it makes all things real. Events unfolding in front of the camera, reveal insights by showing – not telling – a specific truth about specific people. An important discipline to master as a photographer is not interfering with the subject; being there by trying not to be there.

When faced with a camera, a photographer will often get one of two very distinct reactions. One is interaction. The camera becomes the point of conversation and people respond by reacting – they come up to you and sometimes even pose for you. The other reaction, is people suddenly become aware of the camera, change their behavior or even retreat away from the interaction.

A point of debate is whether the anthropologist can separate their point of view from that of the camera. Can you capture and analyze? Can both perspectives exist during fieldwork? Each perspective brings different things to the forefront, and it is the combination of these perspectives that give shape to visual anthropology. With a camera, both the expected as well as the unexpected are captured. And it is with the unexpected that analysis becomes interesting. The rapid proliferation of visual media coupled with our already rich visual cultures expands the opportunity for visual anthropology immensely. As culture evolves in tandem with the technology of capturing culture, the field becomes an even richer place of study. Just look around at those who are taking photos of themselves using their iPhone.

Article first appeared in MISC Magazine speicial 'Insight' Issue.

Design Thinking Is A Cognitive And Intellectual Process That Balances The Rational And Emotional. Not Included With Your MBA.

What is Design Thinking? Because of the word “design” and many automatically associate it with the craft of design or design as a profession. Actually it is less to do with “design” and more with “system”. There are many ways to define "design thinking" and this list is not exhaustive:

• A way to instill customer-centricity and empathy
• A framework for exploration and experimentation
• An approach to sense-making and problem solving
• A methodology to foster exploration and experimentation
• A design buzzword to tell you a designer can do more than design
• A management buzzword sold as the “next” strategic tool
• A marketing slogan or tag line
• A self-gratifying term for those who think they are creative

The term “design thinkers” implies that designers are craftsmen and not thinkers, which is NOT always the case. It is also a stretch for traditional industrial or brand/graphic design firms to claim to be able to use "design thinking" to solve complex strategic issues. These firms need to go through a radical transformation and close a big capability gap before they can even attempt to implement it for others.

Today, "design thinking" is frequently compared and contrasted to business. This is often an over simplification that forces us into predetermined roles along with their associated rules, conventions, behaviors and formal expectations. It Is important to recognize that "design thinking" is NOT exclusive to designers or unattainable to those in another discipline. Design thinking is natural and inherent in all of us who are smart and creative.

"Design thinking" is a cognitive and intellectual process that balances the rational and emotional – in effect combining left brain and right brain thinking. When applied, it harmonizes with other modes of thinking and closes knowledge and information gaps, creating order and refining meaning. Because "design thinking" is a dynamic, constructive process that is iterative in nature, developing ideas requires ongoing definition, redefinition, representation and assessment.

To achieve those tangible outcomes, you need to open the process to multiple participants and socialize the process and outcomes, visualization is a very critical part of the process, not an outcome. Even the Department of Defence recognizes the needs to train "design thinkers" that are capable of critical and creative thinking to plan operations in dynamic environments with fast-changing uncertainties in extremely complex conditions.

People who are capable of using "design thinking" to identify and develop different military response options within the context of a big strategy are crucial to successful military operations. The development of such skills requires a shift in their focus from the operational and tactical environments to the strategic environment. This is an extremely challenging undertaking given that many military officers spend the majority of their career starting at lower levels and their advancement depends upon how well they perform tactically. This is very much like managers in large organizations who were promoted based on their ability to execute tactically.

To develop senior commanding officers with "design thinking" capabilities require DOF to train them new skills including analysis as well as synthesis. "Design thinkers" possess the ability to think critically on a "system" level; break concepts into simpler parts and mapping out their relationship and system impact before rearranging the elements into a new whole; in other words, to produce something through imaginative skills and quick experiments. And yes, imagination is always needed.

Successful Business Transformation Requires A New Logic To Handle Ambiguity And Change.

The future is scary and there are reasons for it. I have been giving a lot of keynotes lately to different professional organizations and senior executive roundtables and my keynote topic of strategic innovation and design thinking went beyond innovating to find growth and adapting to new economic, market, political and social order. I shared ideas on the future of economic development, the come-back of manufacturing, developing glocal innovation networks and creative or self-destruction of old establishments and the renewal and transformation of the modern enterprise.

There were never ending questions from the audiences on these topics. I can write a book on them, I guess I won’t have time. I hardly have time to get enough sleep. Everyone is looking for a theory to anchor. The future has never been so uncertain and almost any economic theories invented decades ago has become another working white paper again. The very old ideas of management and strategy taught in b-schools are so dated and when I look at the 800+ management books I have on my bookshelf, I am guessing 80% of them are completely irrelevant (50% were irrelevant when they were first written).

Some turn to other knowledge disciplines to look for sources of inspirations. The field of business strategy borrowed heavily from industrial economics and the filed of management sciences borrowed heavily on organizational psychology. What about "Strategic Foresights?” Where can we look for anchors and new inspirations? How about mathematics?

Fuzzy logic is the branch of mathematics that says that science isn't about absolute truth; it's just a heap of guesses at a reality that's much more complicated than that. The term “Fuzzy Logic” emerged in the development of the theory of fuzzy sets by Lotfi Zadeh (1965). A fuzzy subset A of a (crisp) set X is characterized by assigning to each element x of X the degree of membership of x in A (e.g., X is a group of people, A the fuzzy set of old people in X). Now if X is a set of propositions then its elements may be assigned their degree of truth, which may be “absolutely true,” “absolutely false” or some intermediate truth degree: a proposition may be more true than another proposition.

Professor Bart Kosko (Professor of Electrical Engineering in the University of Southern California's Viterbi School of Engineering and a Professor of Engineering and Law in USC's Gould School of Law) draws out some pretty interesting applications of that theory. He lost his faith and rediscovers it in science. The fuzzy future is part bog-standard libertarianism (with a side of Reaganomics), part extropian hooting-and-hollering, part small boy reveling in the Tolstoy and Clancy school of military exchange, and part Rube Goldberg engineering of unlikely theory, all bound up in hundred of pages of inscrutable equations in the footnotes.

My teaching on 'Design Thinking" goes beyond many simple (and shallow) creative tools. Forget those three wheels of design, technology or whatever. Those are complete BS. "Design thinking" is comfortable with change, it is disruptive and provocative by nature, and promotes new ways of looking at problems, often through new lenses. The strategic framing of complex and ambiguous issues requires thinking approaches that are free from organizational dogmas, codified limitations and old assumptions.

A large part of the design thinking process is to step out of roles conventions and free oneself from these dogmas and explore new frames of thought and approaches to problem solving. I am using "Design Thinking" to push us to rethink everything from scratch, including the tools of logic itself. Most people believe creativity means there is no logic. But what is creativity anyway? Or what is design? We need to look at the world or our business or social challenges with a fuzzy prism. It is like watching 3D movies without the 3D glasses. You can never make sense of the present and the future by using conventional lenses and logic.

In a world of full of chaos, unpredictability and fuzziness we need to look at the world through a fuzzy prism. Here is what Dr. Bart Kosco has to say, "How do you upload yourself onto a chip?" The fuzziest fact of all. The problem with current schemes in theory is a binary shock, when all of a sudden you die in meat, and wake up in chip. So how do you do it consciously? We could cut out that little chunk of your brain and replace it with an equally functioning chip, maybe a more powerful chip. We could keep doing it, while you're wide-awake. So in the end, you've completely transferred to a network of chips, and your brain is a bunch of sodium chunks in a jar of formaldehyde.

For the modern enterprise to evolve, survive and even prosper in the future, any change and transformation effort cannot just be putting on bandages. There is no one single future state to map against current state. There could be a range of different strategic futures and companies need to be ready for all of those. It takes a very different kind of transformation process when the future state is unknown.